主题：Sony的DSLR能成大气候吗？（续） -- 晨枫

外链出处

这里摘一段：

For me shooting the Leica was like retraining myself in photography. What I thought was in focus was not, what I thought I had framed perfectly was off, what I thought would produce no noise did, what I thought would produce a lot of noise really didn't.

Shooting the Leica is like going out with Pamela Anderson. The camera keeps saying you can make me clean, cook, raise the kids, but I won't be very good at it., though if you let me do what I'm good at you'll be very happy.

So that's what the Leica does, only what it wants to do and I can't quantify or specifically say what it does, other than it makes me very happy.

50% of everything I shoot with it is not in real tack focus, 50% has too much noise, 50% has surprise framing, but no camera I have ever used has touched me so deeply. I just can't really explain it but I know that if I keep down this path I'll probably spend my life savings on lenses.

Focusing is the biggest issue. It's just a surprise at anything more open than 5.6 and I know some Leicafistas (is that a word?) will jump all over this and show me twenty five in focus shots of walls, I can honestly say that focusing the Leica is similar to riding a skateboard down a hill and trying to eat ice cream. There is a lot of variables, but you know it doesn't bother me that much because something about the leica glass, or something about the build of the camera, the closeness of the lenses, the way you interact with the frame just makes all the other stuff go away.

It's like every time I shoot something with the Leica it produces a look of history or better put the photograph looks like it should have historical merit.

换句话说，这不是居家过日子的娘子，而是专为有贼一族的。太傅你可是危险啦！